A friend of mine, admiring my Lauda Anima (“Praise, my soul, the King of Heaven”, asked for detail on how I achieved such a thing, and I replied at length. Another friend suggested that I post that response here, so, with appropriate edits. (a lot of material covered in recent posts is duplicated).Prerequisite and motivating was to know and love this gorgeous English hymn, which I have heard countless times in numerous churches, and admire its grand “High Church” atmospherics. Mobile users: I DO NOT OWN THIS SONG! ALL RIGHTS GO TO THE COMPOSER, Xi Original song: Make sure to listen to this with headphones to get the full experience! Remember: louder = better here (but don't hurt your ears) First off, sorry for the messiness (and unrealistic parts)! Everything I did was to make sure it sounded as close to the original as possible! So before you get on me for either of those, keep those in mind and don't go too hard on me xD This is probably the biggest project I have tackled so far in musescore. I did the entire transcription in Musescore and by ear, listening for the smallest of details in order to make it sound as accurate as possible. But after weeks and weeks of work, it's finally finished! I'm pretty happy with the results and I hope you'll enjoy it too! ^u^ I will not be taking more requests for the time being due to school starting up and my packed shedule. I will most likely open up requests again in a couple weeks. Thank you Pivirus for requesting this song! It was a pleasure doing it:). Free download mp3 dj dalinda. This is the interlude from the Epica album Requiem for the Indifferent. I have transcribed it an octave lower than the original simply because I hate seeing too many staff lines, so keep that in mind when playing. This is my first score, so if there are any mistakes please feel free to let me know! I am very excited about this one. No copyright infringement intended, this is for criticism, comment, learning, and teaching purposes and thereby falls under the 'fair use' principle. Please be sure to support Epica and buy their music--it's wonderful! PLEASE CLICK 'Show more' directly below! From hymnary.org through IMSLP, marked as PD. My posting here is 'basically' that setting verbatim (I chose sets of voices, though), but the Descant in verse 4 is mine (public domain) and I added the organ intro, and composed and added the organ interlude between verses 3 and 4. May 28, 2013 - The sequence of sentences in Anima Christi have rich associations with. A free chord chart and score are available for download - contact me to contact Marty. The song and album. 19:03—Creator of the Stars at Night. Chords for Anima Christi by Bukas Palad. Play along with guitar, ukulele, or piano with interactive chords and diagrams. Includes transpose, capo hints, changing speed and much more. This majestic, noble cathedral-style hymn exemplifies all the best in the Anglican hymnody; the four verses exploit ingeniously varying high-romantic harmonies, esp. A poignant 'jazz chord' in m. 22 and repetitions in vv. There is now a very detailed description of how I achieved this here:. On the performance: The organ part here is rendered on the Sonus Paradisi image of the Walcker Organ now at Doesburg, Holland, via the Hauptwerk Virtual Pipe Organ platform. I have chosen appropriate registrations for accompanying the MuseScore Choir, whose dispositions I have chosen per verse. MuseScore and Hauptwerk both made audio recordings for me, which I (after re-pitching Doesburg to A=440) aligned, mixed, and output as MP3 (currently via YouTube). Although the 'Old MuseScore Pipe Organ' actually had been doing pretty well here (you can try that audio source), it cannot compete with Doesburg. The new result is sheer Anglican High-Church joy. Note that descant counterpoint style is not necessarily Bach style. Maybe I should, for this, take the 'humblebrag' nom-de-plume 'I. Imitation Ignoble' (play on the name of Anglican-idiom heavyweight T. Tertius Noble (1867-1953)). Ennio morricone vergogna schifosi rar download pc. Johann Sebastian Bach's Magnificat is a musical setting of the biblical canticle Magnificat. It is scored for five vocal parts (two sopranos, alto, tenor and bass), and a Baroque orchestra including trumpets and timpani. It is the first major liturgical composition on a Latin text by Bach. In 1723, after taking up his post as Thomaskantor in Leipzig, Bach set the text of the Magnificat in a twelve movement composition in the key of E-flat major. For a performance at Christmas he inserted four hymns (laudes) related to that feast. This version, including the Christmas interpolations, was given the number BWV 243a in the catalogue of Bach's works. For the feast of Visitation of 1733, Bach produced a new version of his Latin Magnificat, without the Christmas hymns: instrumentation of some movements was altered or expanded, and the key changed from E-flat major to D major, for performance reasons of the trumpet parts. This version of Bach's Magnificat is known as BWV 243. After publication of both versions in the 19th century, the second became the standard for performance. It is one of Bach's most popular vocal works. Bach's Magnificat consists of eleven movements for the text of Luke 1:46–55, concluded by a twelfth doxology movement.
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